Thursday, September 25, 2014

JAPA

“If there had been only one Buddhist in the woodpile” 
That cynical idealist, realist poet of the people once pondered.
Substitute Waco, Texas with any and all absurdity of violence
Before then, until now and beyond tomorrow

If Isis, the Egyptian mother goddess protector of all
had been in the woodpile in Iraq
could the children have been saved?

the Christians, Yazidi, Sunni,
the young men killed
by black masked executioners
their faces well hidden
                             
Isis: they have taken your name in vain
perverted your purpose.
Could any power prevent mass murder, carnage, brutality? 

Only consciousness can
Not Bodhisattva or saint-like consciousness
But the tiniest bit of wonder before the infinite universe
A modest intimation of human spirit
One clear glimpse of beauty, goodness, love
In an instant might engender compassion
for the pain, suffering and sorrow of "the other"

That glimmer of consciousness might have asked: 
"With my life, here and now, what will I do? 
What do I wish to bring into being, to experience? 

Men of war have ever said thus:
“I will assert and secure my power over the weak and helpless"
through terror, torture, rape and death
Shedding blood of innocents with the arrogance of zeal

Such is the history of the world
a "nightmare from which we are trying to awaken,"
And what will the warriors rule over
these modern hoards at the gates of civilization?

Chaos and devastation?
Keeping watch, lest the same thing befall them
Born of the pain and malice they engendered in others?

No deus ex machina descends upon us.
While the Buddhists wait and meditate
Clapping one hand

Monday, September 1, 2014

MISSING













Parts of me are missing
I don’t know what they are
 or where to look for them
I only sense sometimes--the gaps
spaces that keep me from wholeness

standing under the stars last night
the tide coming in
wind blowing restless
preferring the familiarity of my small room
where I am not reminded of the what I could not name 
in the dark mystery of the infinite. 

Why?
I fold the laundry
wash out the green glass
sweep the leaves from my doorway
 put everything in its place
except the fragments of myself--out there somewhere
or within, so near but
deeper than I can go

Tuesday, August 26, 2014

FOR BOO














For Mary "Boo" Budash - Crossed the Threshold  May 2014

You, poised at the bank of the Seine
alone, like a country girl
innocent in blue
Madone de la rivière you seemed
full of grace.

We did not know you then
but sensed in the friend and poet you became
what radiates in that image.

Your inward gaze
the water's serenity
flowing from and to
that moment you left us
all that transpired
all that transformed
along the way 
visible to us now
we will remember.

Monday, June 16, 2014

ON THIS GROUND

Nora was comforted to know Indians had once danced on on the ground where her son had taken his last breath. She did not discover that until today, after wondering all through summer and fall if she had somehow imagined his death. Since that rainy evening she had slept on the sofa in the front room with the shades up, waiting to see him coming up the walkway or to hear him open the door.

When she arrived at the accident scene that night, she saw the chalked outline of his body. Only an hour before, at the hospital, his young face was at peace. She was given a blue plastic bag containing his sweatshirt, keys, cigarette lighter, wallet, phone, some change, and an arrowhead he always carried with him.

She reached for the sweatshirt, held it to her face, inhaled, and pulled it over her head. She walked the few steps to the chalked outline and lay down within it on the wet, leaf-strewn sidewalk.

In his last moments, did he suffer, think of me, call out, pray? Did he know he would die, hope he would live? Was he already unconscious when he was thrown from the car? 

These were questions Nora lived with and sometimes spoke out loud or wrote down over and over again on sleepless nights. She thought of all the times she had held him, comforted him when he was a boy. In the end he was alone.

This morning in late December, she awakens to the crisp stillness before a snow.  This is the day of winter solstice with lengthening days ahead. With that promise of light, it comes to her so clearly, she must to go to where the chalk outline has long faded, where no trace of shattered glass remains.

Only burning grief remains. Each day upon wakening it assails her, but on this morning she feels moved to give over to time and reason. He is not going to call; He is not going to walk past the window. He is not coming home.

Feeling an urgency, she dresses, pulls the shades down on the front windows and locks the door. It irritates her when the phone rings.

“Hi, Addie, what’s up?”

“Hey, Mom. Nothing much. How are you?”

“Good. I’m good, how about you?”

“I’m fine just checking in. They’re calling for snow today.”

  “Oh?” Nora looks out the window. “I see it’s flurrying already. You’ll be happy to know I’m going for a walk.”

It’s a revelation to Addie. Partly elated that her mother plans to do anything at all, other than wait, and partly concerned at the sudden change. “What, where? I mean that’s great, Mom, but the snow. How about if I come over and we walk together like we used to, or maybe we could just have coffee and walk tomorrow?”

“No, no, I’ll be fine. I have to go today. I’m leaving now for Three Island Cove," already sorry she has told Addie where she is headed. "See you tonight though, right?”

“No, I mean yes, you will see me tonight, but…Mom, wait. I’ll be right over. Don’t go without me. You shouldn't go by yourself.”

“Now, don’t worry. You’ve been telling me to get out and do something, and now I am. See you tonight.”

“I…I wanna go with…”

Nora hangs up, hoping Addie won’t show up at the cove. She knows it’s been hard for Addie too, and that maybe she has made it harder on her, but grief is a private matter, to be protected not shared—not even with her own daughter—her “favorite,” as Andrew used to say.

She enters Andrew’s darkened room, which remains as it was on the night he left and never returned: curtains drawn; an unmade bed; video games; on the floor; empty cigarette pack, and batteries on the bedside table. A job application and resume on his desk remind her that, in his slow, deliberate way, Andrew was ready to make changes in his life.

Each morning since his death, she calls into the room, “good morning,” and in the evening a “good night,” but not today. She goes for the blue bag at the foot of the bed, takes out the sweatshirt, holds it close to her once again, lifts it to her lips, then slips it on. She hurries to the hall closet for coat, hat and gloves and steps out into the cold air, emerging into what seems like a new world.

It’s just the old world I hardly recognize, where people have been going places and doing things, living their lives as usual. For her, there has been no usual, no place to go, nothing to do and no life to live—only her world of grief—vast and deep.

It’s so quiet, so white, so pure.

Her senses open on the deserted street, where holiday lights glimmer from houses and trees. Head down against the wind, she sees snowflakes sparkle, then fade on the sidewalk. She hears the sounds of icy branches stirring in the wind and her quickening breath, as it turns to frosty mist in front of her.  The pace of her lengthening stride uphill sets her heart pounding; a burning cold fills her lungs. 

  Disoriented by the opening of the forgotten world outside herself, she also begins to sense something inside —unwanted and unwelcome. Out of her inner landscape, there seem to be thought threads being cast backward in time, attaching to images, people, places and events—connecting her with her son. Her impulse is to turn around and head back to the familiar stasis of home, but her intuition and the intensity of the experience compels her: Keep going.

What is this feeling of contracting and expanding at the same time? These intimations of truths, both light and dark? Were those days and nights of ritual sorrow preparing the ground for all that flows from her now? Maybe, yes. Something is shifting. Why? To where? Threads of questions, regrets, love and loss stream out, weave together; emotion gushes in waves, leaving her  breathless— a deluge to drown in.



The widening circumference of memory touches many truths, exposes illusions, illuminates things forgotten, brings the yet unknown to the surface. Nora had not wanted a second child.

Was that really twenty years ago? I don’t know why, but when Addie was born, I felt normal, whole again. She brought me down to earth. A beautiful gift, taking away the darkness. Life was bearable again, redemption for past transgressions. With Andrew, I had to reach into myself…find strengths I didn’t know I have. Matt said I saw everything too dark or too light… deluded myself. I knew he was right, but couldn’t let him know that he knew me that well.

    She remembers that, as a baby Andrew had been content but less responsive to affection than was Addie. He didn't like to be held and was often ill. A dreamy, independent, willful and irritable child, he tried her patience. More than that, as he grew, she felt he was asking her to change in order to see who he was, to discover what he needed, which was hard—maybe impossible.

Matt said Andrew was my “project.” He wanted no part in it, wasn’t interested in my one-woman show. I shut him out—and everybody and everything else too.

Early on there had been signs that, while Andrew may not have been as “awake” as Addie, he had extraordinary insight about the essence and purpose of things. Nora felt he was a puzzle, a paradox and, in many ways, knew more about life than she did. His intuition and sensitive nature engendered a deep love in her, but an uneasy one. Something was asked in exchange. She tried to figure out what it was, but never had. She became convinced Andrew's inherent wisdom was meant to guide his parents to discover parts of themselves that were missing, to the self-knowledge they lacked. His father did not agree, insisting that nothing had to be done—except to live their lives.

I didn’t have to push Matt away like that….I shouldn't have. I miss him terribly. There, I’ve said it. He was right. I created my own Greek tragedy, got in my own way, and in Andrew's too. It wasn’t a good place to be, above all things like that. I felt Addie had lifted a burden, but I guess I just placed it on Andrew instead. He had to tolerate my mothering and smothering; suffer for Matt's leaving us; for my trying to be father and mother; for our move away from the only home he had ever known and loved. Did he carry that resentment to his death? And I never got the chance to….I failed him in every way.

“Oh, Andrew, can you forgive me?” she asks out loud.


By the time she reaches the place she had dreaded, but at which she longed to be, a perfect, almost visible imagination had formed. Perfect in that it is whole, woven in reverse from moments in time, expanding outward, encompassing the lives of a mother, a son, and a family—then, now and forever.

Looking up, she notices a sign post rising from the pavement—one of those placards noting some bit of history.

Why haven’t I seen this before? Was it always here?

SAMUEL DE CHAMPLAIN. Due east from here on

July 16, 1605, the Sieur de Monts sent Samuel de

Champlain ashore to parley with some Indians.

They danced for him and traced an outline map of

Massachusetts Bay.

Nora remains for some time gazing at the sign   with the new-found realization that long ago something extraordinary took place here. An exchange, a sharing, a trust, an encounter between the strangers who had arrived on a foreign shore and the Native Americans who danced to welcome them, and shared their knowledge of the land—a living knowledge inside of them.

She reaches down to touch the ground.

And it was here, too, where another soul had departed—Andrew, whom she had both striven to know and to become more like.

Has he united with the others from another time?

In an instant, she became the bare trees, the grey sky and the falling snow, a small but integral part within creation, which holds all that was, is and will be.

“Time,” Nora smiles, “another illusion. We are all here—then and now and tomorrow.”

       How long she remained in this reverie of her own creation, in the light of the knowledge the placard had shed, who can say?

A few snowflakes float down like feathers. Feeling the cold more than before, even though the wind has subsided, she turns, glances back, then begins walking quickly downhill.

There is Addie coming toward her, smiling and waving as she makes her way amid the lights twinkling from trees and houses along the still, quiet street.


*“SAMUEL DE CHAMPLAIN. Due east from here…” from the inscription on the historic marker at Whale Cove on South Street in Rockport, Massachusetts.

Sunday, June 8, 2014

The Measure of the Universe

In Genesis, God spoke the world into being. In the New Testament, we have, “In the beginning was the Word.” We are given these imaginative truths that speech or sound has formative power,  bringing form/substance into being and that, “The Word,” or “Logos” has always been. We also find in Shelley's epic play, Prometheus Unbound, that Prometheus, a demigod who stole fire from the gods, a “gave man speech, and speech created thought, which is the measure of the universe” (II.iv.72-73). What these two sources suggest is that language is a mediator between humanity and divinity.
Language is what separates humans from other sentient beings in our ability to communicate not just informtion or feelings through sound, but also intentions, plans, logic in precisce, as well as subtle, nuanced layers of thought and meaning. Language creates meaning and, thus, thought. In this way, language builds and expands consciousness and conscience.
Although I am not a member of an organized religion, I was brought up in Catholicism. I am grateful for those early experiences, not the dogma, indoctriation, judgment I and others may have experienced, but all  which helped create a foundation for my inner life—experiences of seeing, hearing and feeling beauty. The interior of the church inspired awe and reverence: the reverence for the sacred experienced in the services, the gleaming red votives; the artwork and statues, and frangrance of flowers and incense; the images on and color and light streaming through the stained-glass windows.
I loved Saturday confessions, not for the act of confession itself, but before and after it, sitting quietly in an empty church. Each sound echoed through the space. In the presence of the figure on the cross, the somber saints on the side alters and silent angels in paintings on walls and ceiling, there was mystery. I felt at home in wonder, which the Greeks tell us is the beginning of wisdom.
I listened on Sundays, Holy Days and at funerals to the liturgies, prayers and hymns, first in Latin, which was beautiful and the meaning obscured also imparted ony the beauty and mystery of its sound. I recall my first apprehension of the spiritual—being lifted above the ordinary, although I couldn't have put that feeling into words back then. It came through words in one of the Latin prayers that was about the power of the word. Once heard, it reverberated through and in me (and still does): Dómine, non sum dignus, ut inters sub tectum meum, sed tantum dic verbo et sanábitur anima mea. We also recited it in English:
Oh, Lord I am not worthy that thou should come under my roof. Only say the word and my soul will be healed. 
“Only say the word and my soul will be healed" was a revelation to me as a child, as it is now: that words can and do heal, that they both express and shape wisdom-filled thoughts and have a life which I cann breathe in! Such word-thoughts offer a sense of hope and renewal, are felt as light, and can be called upon again and again as a source of comfort, strength, and even of actions I might not otherwise take, had I not been inspired by them.
As an adult, I found a life inseparable from layers of language as an English teacher and writer, grounded in the “trinity” of language: power, beauty and meaning, which long ago planted a seed within me. 
I imagine that, if such a thing could be observed, the palest shade of green would have been seen through the thin shell of my young soul—ever so pale, but green, green and growing.

Thursday, March 20, 2014

GOD IS LOVE

Driving for hours, he starts to wonder if the road stretching ahead is endless. His anxiety building—like when he first tried to grasp the idea of “forever,” or envision the universe expanding outward—into what, into where? Colors and shapes blur together and fade: tree branches into sky; gravel edging the road into fields of dried cornstalks. Wispy clouds line the glowing horizon at sunset as he travels west. This is how he remembers it in the cold season.

He is going back after so many years. He doesn’t know what he will see, or what he will say, but he needs to close the circle of his life, “whose center is everywhere and circumference nowhere.”

By early morning, he sees the farmhouse rising darkly against a brightening sky. His eyes fix it as he turns on to the long, narrow earthen drive. The fence on the perimeter is broken in some places, missing in others; some of the once-sheltering oaks are gone. They have been living only in his memory, but the old poplars still stand on either side of the front porch, with its wooden steps sagging into the damp earth. Twisting bramble and weeds crowd the flower gardens that once grew in sunny spots.

Ahead, loom rusted parts of yellow and green farm equipment, abandoned near the barn with part of the roof down on one side. He sees the fading painted image covering the top half of the barn facing the house, the first thing he saw each morning from his bedroom window: a red cross against shafts of light, over which the words are printed: GOD IS LOVE.


He remains in the car, his eyes closed, until he shivers from the cold. Emerging, he walks toward the house, observing broken windows, warped siding, and fallen shingles on the path to the back door. Entering the low doorway, he bends in a gesture of forced humility.

There is the wide stone hearth, charred ends of logs still across a blackened grate. Here is where the oak table stood, he and his sister set for Sunday dinners. He stops, moves his hand over the place where it had been. Entering  the front room, he scans the whole of it camera-wise. Tall windows line the west wall where, on summer afternoons, he would read stretched out on the window seat below, imagining he was drifting to a sun-soaked Greek isle.

The windows, coated with a fine yellow film,  diffuse the light through the vacant room. He sees, not the empty space, but everything as it had been on the day he left—with no warning, no word. A rocking chair next to the fireplace; an old-style standing radio the family would gather round to listening to hymns on Sunday evenings; a sofa opposite the fireplace; his father’s straight-backed chair with its black, crackled leather seat; a marble-topped table with frosted globe lamp painted with peonies, matching the ones on the wall paper—now worn in places down to the plaster. How elated and proud his mother had been when she papered the walls herself, saying, “There, now we have a proper sitting room.”

All the while, his memory projects a tableau of intimate vignettes and voices from the past into the room that smells of earth and cold, and feels like pain. He has arrived—returned from another world to speak to his God-fearing family, who had raised him to work on the land, making sure he was educated enough to run the farm. All gone now, they had waited years for his return. He has to believe they will gather here again, in spirit to listen to what he has come to say.

Outside, the wind kicks up, whining through the house, rattling the remaining shutters. His fingers, though gloved, are numb. He heads outside to gather kindling. Tiny vortices of golden dust rise up here and there as he picks up broken branches and twigs to build a fire to warm the frigid room. When the fire blazes, in the glowing warmth of its flames, he conjures his imaginary family, summoning them to hear the truth of his life. 

He wonders, Is reconciliation more possible with spirits than with living beings?

There is his mother, seated at the front windows, gazing out; his father stands at her side. His sister, Anna curls on the rocker next to the fire. His abandoned lover on the threshold, her back to the room. He can’t recall her face—only her despair.

He wants to say, “Call me Ishmael, Gilgamesh, Oedipus. I have seen the white whale, entered the cedar forest, solved the famous riddle.” But, those are his inspirations; they never would understand. He will speak in plain language, though those epic figures and their stories still live within him, the foundation for his thinking about  the world, life, and himself.

To the conjured visions now assembled for his homecoming, he states his case:


“When I was a boy, I read about heroes’ journeys, and I knew I had to set out on my own. I don’t think of myself as a hero, but I do think that simply living life is heroic, contending with all the forces coming against it. Here I am…battle-weary from forging my own path. I have survived, as I must believe you also have. There is no end to our journeys, here or beyond. There is always still a far way to go.”

He had set out long ago, leaving everything behind, toward what he had hoped would foster consciousness and conscience. He freed himself to leave the known for what was out there yet to be discovered, and to acquire an understanding of what it is to be human, which his youthful readings and musings had begun to suggest.

“I strove toward a vision, but…I am flawed, still so flawed.” His tale unravels, partly in sorrow without remorse, partly in victory without joy. “Maybe it is I who need to hear my own story to grasp it, but I put it before you,” he, hoping in whatever feeble way, he might atone for the pain he had caused.

“I wasn’t ungrateful or, at least, I never connected what I did or didn’t do with ingratitude.” Early on, he knew he would not replay the worn record of his father’s life and his father’s before him.

He intends to acknowledge to his sister the he abandoned her, after the confidences they had shared. He wants to kneel before his mother to ask forgiveness for his “mysterious disappearance,” for her never to have looked upon his face again, for his not having fulfilled her reasonable expectation that her family remain near, and that life go on in the same way ever after.

He thought to apologize to his young lover, whose beauty and innocence must have long ago faded. Her words, screamed to him still resounding, "If you leave me, I’ll hang myself from the barn rafters.”

“No, no you won’t! Don’t say that,”he had shouted back, feeling held hostage to others’ expectations and needs, but also bound to them by love.“I can’t stay to save everyone else and lose my self.” The next day, with guilt and grief, but with the vision of the life before him, he did the thing he had to do.

“I veered off the trajectory created for me…set sail on my own voyage, uncharted and blown off course many times,” as he remembered his wish to see wide rivers, not content with irrigation ditches and small streams trickling through the countryside: “I wanted to see the Nile, the Amazon, cities rising against the sky: Athens, Paris. I wanted to meet people who didn’t live as we did in what I had come to think of as this God-forsaken place.”

His mother had said it was not God-forsaken, ”God is everywhere the eye can see and the heart can feel—horizon to horizon.” If that is so, he tried to reason with her, couldn’t He then be found in other lands and landscapes—ones that would better serve to shape and grow something still small inside himself? He wanted to see the open ocean, stand before and climb mountains, meet and get to know people not like him, people who might be God and angels in disguise—strangers who would become his guests.

“When I finally settled after years of wandering, it was on that island on the wide Hudson. I felt I had found my place…my home.” There he saw those driven in black limos stopping at hotels, theaters and restaurants. “I made my way among them, but mingled with those who had lost their way, but not their souls.” To those he had dedicated himself—those who carried the sum of their lives in carts or plastic bags, maybe disguising sainthood beneath blank and somber eyes.

“How can I tell you what it would have meant for me to have stayed here? What it has meant for me to have done what I did, see what I have seen? I did what I had to do…trade the predictable for… for the possible. Here, yes, I was secure and comfortable, but… I didn't want that. I…I didn’t know what I would wanted, or what I would find, only that I needed the unpredictable…and some sense of fulfillment.”

He turns toward the windows, “Mother, you said I was a dreamer, a doubter, selfish. Father, you said I was lazy, a sinner, a bad influence on Anna with my wild talk of journeys and trials…that I was wasting my time reading what you called ‘those foolish books.’”

Then to Anna, “I have prayed you found your way and lived a life you chose,” as they had often encouraged each other to do, but wondering through the years if she had instead submitted to the life laid out before them. Had she been left utterly alone?

He glanced at the figure in the shadowy doorway, but could say nothing, the snare of her last words to him having left a crusted over wound on his heart.

He paused until he could recall the urgency that had propelled him beyond all considerations to leave, and how the ideas in those books became ideals to be acted upon—light-filled thoughts that opened up all the color of dreams, inspiring  his plan to free himself, body, and soul.

“When I was a boy, I loved this house…the picnics, the Sunday prayers, the hymns, and I always loved you…all. I knew what you wanted for me, and…I wanted to be good, to be grateful.” How he had struggled to be obedient, to honor father and mother—the commandment they repeated almost daily, noting the fires of hell awaited those who transgressed it, or any of the other nine “shall” and “shall nots,” until he could obey only one commandment: to experience life by following the fire within him.

“Please, Mother, I know you thought I should be content to be here, where I was born, but I…I had to walk into the world…on the narrow path of my own making…my own…limitations. I guess I…I had to learn things the hard way, and not just believe or follow all the things you tried to teach me. I couldn’t live up to what everyone else expected. I had my own expectations, and have come to believe as certainly as you had in your beliefs.” 

He speaks what he could not articulate before he had lived it. “We have not come to earth to blindly fulfill the dictates of God or man, ignoring our own experience, avoiding our own thoughts and questions, denying our doubts. Wouldn’t an omniscient God have foreseen, even intended rebellion? The disobedience of Adam and Eve was not sin, but a picture of destiny, human destiny—to be cast out of a perfect garden, to lose our innocence and to learn through suffering. To be fully human is to…to choose the good—in freedom, not out of command or fear. 

    If I hadn’t left, how else would I have come to know that evil is a mystery woven into the very fabric of the universe? Evil is not so much to be resisted but endured. Good and evil are all mixed up, one can be mistaken for the other, and what we think is good may turn to bad, while our good intentions can affect others in ways we couldn’t have imagined, no matter what we intended.”


He knows his own rebellion, by default or design, has moved toward his becoming “one with the Father” and was meant to achieve that fulfillment alone.

“I wanted to find my own fulfillment. And I did once…for a while. At least the kind I had imagined could be mine, with a red-haired woman I loved too much. She painted my portrait in blue with a gold halo. That was before our son was born with his spine outside of his body,” he swallowed hard. “On the first anniversary of his death, I came home to find…she was gone.” For the first time, the realization comes to him with excruciating clarity that she had vanished, just as he had from the sad farmhouse in which he now stands. He had never spoken the words out loud before—until now.

“I burned the portrait, along with the letters I had written each day for a year, with nowhere to send them. What would I do with all the love remaining?

“I had wanted to find life—as if it were something to find rather than to live…too proud in my belief…or my illusion that I was destined somehow to find fulfillment. Instead I lived alone with yet another mystery, until I took in a young man in rags with violet eyes who danced in night in St. Mark’s Place—asking nothing in return for his performances of grace and beauty—but a witness.”

He had meant to speak many more things into the quiet room to those he imagines are listening now. He is spent, empty to speak of the years roaming the city streets, to which he will return after this pilgrimage to the past—maybe stronger, maybe more broken.

All at once his life appears before him—as a sacrifice, forfeiting simplicity for the sublime, facts for hard-won knowledge. With the vision, comes a warmth, a calm, the frosted breath of his words visible, his voice hollow and weak.

“I am sorry for the pain I caused and…wish only…that peace be with you—now and forever.” And he feels it is so.


The wind has died down, the fire gone to embers. Across the fields, the sun is low in the late afternoon sky.  The circle is closed, he on the outside, the imaginary figures fading into the darkening room.


*“whose center is everywhere and circumference nowhere” paraphrased from “God is a circle whose center is everywhere and circumference nowhere” attributed to multiple sources, including Dante and St. Augustine, with the earliest being Empedocles (490 - 430 BC).

Thursday, January 23, 2014

TRUE MINDS

Let me not to the marriage of true minds admit impediments.


He presses his forehead against the cold window pane until it fogs over. The front and back doors are locked, and his keys do not open them. At the side of the cottage, he separates the thick growth of vines and peers into the bedroom window. Nothing remains of what had been in place when he left that morning.

He feels himself telescoping to a distance above, looking down on the scene, watching himself wander back to the front yard. Next to the bare willow tree he sees the sign: FOR SALE.

He heads for the pub in town.

Inside, the warmth and dim lights are a familiar welcome. It’s a busy Friday night, with only a few seats left at the bar. The sounds of end-of-week chatter fill the space. He sits furthest from the door, the wind rushing in, with wet snowflakes and the last of the autumn leaves. Avoiding the mirror behind the bar, he fixes his eyes on the array of bottles in various shapes and colors below it. He tries not to, but can’t help thinking about those early years when they came here together every Friday night, taking one of those cozy side tables, where other young couples are seated now, clinking glasses, smiling, their lives ahead of them.

He is remembering how they each would order a different cocktail of creamy pink, frothy green, sweet and fruity or the “grown up” ones—clear, amber-colored and bitter. It was all amusement, sipping from the other’s glass. He does not care to recall how many years it has been since he began coming here alone—first at lunchtime, then most nights.

He tries to lose himself in the music, the noise, the  vodka, forget for now that she is gone, and all that is lost to him. After a second double vodka, his mind and memory cloud over, and his heart is a cold stone.

He drinks until the bartender leans into him, “Better get going.” This time, he gets up without protest, and sets his course for the few blocks back to the vacant building he used to call home. Home, home, home swirls in his mind like the frozen flakes sweeping around him.

He has already decided, he will stay the night in the empty house. When he arrives, he stares at the little cottage, trying to bring it into focus, remembering the sounds and warmth of it when he arrived, unsuspecting, the night before. Unsteady, he manages to make his way to his car to get the blanket—the one that’s been in the back seat since the children were small. He crunches over the frozen walkway to the back door, covers his fist with the blanket and shatters the window. He pulls out a few shards of glass, and edges his hand in to unlock the door. He turns up the heat to warm the icy cold, and stumbles into the bedroom they once had called “the marriage suite.” He wraps himself in the meager blanket printed with elephants and balloons, and falls to the floor.


After a sound sleep, he opens his eyes to morning light, feeling wide awake, despite a headache. The memories and self-reproach he warded off the night before flood in with a brilliance, like the sun shafts on the bare wall in front of him. He pads to the bathroom to splash his face. He notices pieces of the white shaving mug with blue sailboats—shattered on the floor—in nowise reparable.

He wants to make himself presentable, make a plan, make some calls, get everything straightened out once and for all. Instead, he returns to the bleak room, eases himself down to the floor and stares at the ceiling, where memories begin to appear as visions before him, some bitter and dark, some too sweet and too light to bear.


The Meeting

She was lovely, vibrant, open and gentle—and as lonely as he, both of them ambitious with the necessary, youthful illusions about life, love and themselves. They grew up in the small, seacoast town in New England, but hadn’t traveled in the same social circles. She went to private high school off the island; he had thought her snobby. He was a star soccer player at the public high school; she thought him arrogant. They had mutual friends, but not until they were home on spring break in their last year of college did they really “see” each other.

That summer arrived with promise in the air and wonder in each other, in the place they had lived all their lives, discovering it together as a new world The woods they had walked in as children were now, Arden forest itself,” she had said. They whiled away the days on warm beaches, chatted on sunny cafe decks, shared oysters and champagne at intimate tables overlooking the bay, and hiked on rocky paths high above the ocean.

In the evening lying together, ocean air wafting in and the light and color of sunset filling her small room, she read sonnets to him and said, “I feel I am in a Matisse painting.” He could not stop wondering if her interest in him would fade in the fall. Their first Christmas together, she gave him a self portrait she had attempted, reminiscent of Matisse. He copied lines from a sonnet she had once read to him.
Love alters not with his brief hours and weeks,

But bears it out even to the edge of doom.

He rolled the parchment into a scroll, placed it in a tiny bottle and tucked it into a small boat he had carved out of driftwood.

He adored her for challenging him to think beyond their place and time; she loved that he urged her to be in the here and now, the simplicity of which she respected and felt was true. In short, each had sensibilities and qualities the other lacked; they felt a void being filled, a missing piece fitting into place to make a whole of their life puzzles.

One day they sat resting along Old Garden Path, he looking out across the rocky cliffs that drop off from a height to small slivers of seaweed-strewn strands. She was reading Albert Camus and often felt anxiety setting in at what she found in his existentialist musings, but also  understood much of it as plain common sense.

“Listen to this. Camus says a person should know about himself,” she read, ‘like the palm of his hand, know the exact number of his defects…know how far he can go, foretell his failures…and, above all, accept these things.’”

He remained gazing out to sea until she asked, “Well, what do you think?”

”What’s the point? I think it’s impossible,” putting his arm around her, “but I guess we still have a few years to figure it out—if that's the goal, but I don’t want to try to foretell my failures, whatever that means. I’d rather move toward my successes, wouldn’t you?”

“Well, yeah, sure, but if we don’t get some perspective now, I mean…”

“Oh, look, something out there just beyond the waves,” spotting a form bobbing and turning above the surface. They began running, keeping their eyes on the figure appearing and disappearing again into the blue-green waves. Further out, white sails drifted all in a row.

“A whale?”

“A seal?”

Then they lost sight of the shiny sleek form in the sun reflecting off the water. Overheated and exhausted, they dropped to the ground, laughing and holding each other.

He hears it now—her summer laugh, long since silenced. By the new year, they had planned on marrying one day and settling near that path with a view of sea meeting sky. But not until establishing careers in Boston—law for him, journalism for her. Many plans came into focus, but they married earlier than they had planned—with a child on the way. Then those plans were stretched out over many years until they vanished into a distant horizon.

He turns his eyes away from the ceiling, closes them for a moment and sits up. The sun has moved across the room. He wants to get up, but, he lies down again to see what else will be revealed to him, as if he has no control over the apparitions.


The Marriage

There she is—so young, fresh, beautiful. He can smell her scent; feel her softness, hear her voice, see her gestures—light and fine. It is pain to recall his urgent desire, fierce and fiery and later, his resentment that she had neither his intense, frequent appetite, nor his need for intimacy.

Then come images of the cottage passed on to her from an aunt who had stipulated that it be in her niece’s name only, warning that, “Mr Right was all wrong.” His senses fill with sights and sounds of how it once had been: manicured lawn, hydrangeas and lilacs; children playing under the willow tree, white sheets billowing out from the clothesline like sails in the wind. He thinks of the salty scent of them tucked into the bed. They had brought their babies home and lay with them there, she nursing and singing them to sleep, he yet unaware of life changing—slowly, but already shifting.

With free-lance writing and waitressing at the pub, she supported him through law school. He didn’t find a “suitable” Boston law firm, insisting on a practice in town, “safer and close to home.”

“The worst decision of your life and a curse ever after on you, our family and the town,” she later railed. For her, securing work, care of the children, private school tuitions, domestic chores, all came before him, he knew. Years expanded into decades, her intended brilliant career seemingly impossible, or so she thought, with children and responsibilities, and his practice languishing in lethargy amid town talk of questionable dealing and compromises.

As the past spreads out before him, even now, he feels the old desire—despite the years of refusals and excuses, she merely tolerating his lips, his hands, his weight, with the knowledge that she knew that he knew.

The vivid colors of their dreams faded; neither having measured up to the expectations of the other, or of  themselves.

A Shattered Vessel

It all came with a searing clarity one night, on a business trip in San Francisco where he visited an old friend, recently remarried. The couple couldn’t wait to show him the courtyard they had designed and created together. It was edged with lush ferns in front of fragrant, night-blooming jasmine, its white blossoms wavering like sparks in the moonlight. He noted how kindly they spoke to each other, how he deferred to her, how she looked at him, how they finished each other’s thoughts, and held hands after dinner.

On the way to his room that evening, he caught sight of them through their half-opened door. In gentle embrace, they leaned into each other, gestures full of promise. He closed the door behind him and stood by the window, unable to move, a warm breeze drifting in off the bay. The light and weight of the evening was a revelation to him, but also an irrevocable blow.

That night he dreamed his wife came to him in the dark. When she drew near, in a white flowing robe, he saw it was all jasmine flowers. He inhaled the fragrance of their perfume. When he reached for her, she vanished, and he awakened. He intended to stay awake, review his life, put it into perspective, but he fell back to sleep. 

When he arrived home the next day, he seemed to notice for the first time that the cottage was in sore need: rotting cedar shakes, cracked chimney, leaning picket fence, crumbing stone wall and unweeded gardens. Likewise, his office now seemed dark, damp and cluttered. He allowed himself to recall the old rumors about his practice and his marriage. He sensed how things were and were not, but didn't know what to do. He came to believe there was nothing to be done. He did nothing.


Again, he rolls over, props himself up, wanting to leave that house, but once more he gives over to the last scenes playing out in between futile questions: 

What if I had? Why didn’t I? If only I could have.

The Impediments

It had been a long decline: the practice, the cottage, the marriage, he begging her to love him, she begging him to save his reputation and their family. He feels the sting of  harsh, accusatory words exchanged one too many times and imprinted on the other’s soul. They seemed now to reverberate in the empty room.

They had once been pure vessels waiting to be filled to the brim with all that was lacking, wishing to be known by the other, to learn from the other what yet was unknown. What each needed was taken in at first, a thirst quenched, and savored. With time, the other’s deficits were exposed, and the draft grew bitter with resentment.

Don't see me as I am. Don't change me.

How many lovers discover that neither one receives what is longed for, what they think they want, need or deserve? To be free to develop separately, yet to live and grow together. How? Maybe that wisdom can be imparted in an instant, or take a lifetime, if ever. Lovers’ illusions and self-deceptions, unfounded rationales, too much pain and sore need, all intertwined.

Infinite are the ways of creating a glittering shell of appearance, while the core of suffering goes unseen, unnoticed, unacknowledged. What devices, defenses and denials mask the myriad roots reaching in every direction, compromising a once solid structure?
Quiet, quiet…hear the vines growing?


With daylight already fading, he lifts himself up. He runs his fingers through his hair and wraps the blanket around his shoulders. He goes to pick up the pieces of the shattered mug and puts them in his pocket. He wanders into each room, lingering a moment, then goes through to the kitchen. He covers the broken window with the blanket. Next to the magnet on the refrigerator: ”If you're going through hell, keep going,” he leaves a note:


I am a wandering bark.


Outside, the day’s sun has melted last night’s snow. Rivulets run through the cracks in the walkway. He pulls at a strand of ivy clinging to the cottage wall until it loosens and carries it with him to the pub.


 *Title: “True Minds” and sub-title, “Let me not to the marriage of true minds admit impediments” from Sonnet 116 by William Shakespeare.

 *“Love alters not with his brief hours and weeks/But bears it out even to the edge of doom” from Sonnet 116 by William Shakespeare.

*“like the palm of his hand…” attributed to Albert Camus.

*I am a wandering bark” from Sonnet 116 by William Shakespeare (in reference to “love“ as “the star to every wandering bark”).